
For the stage shots, I used the setup seen to the left. One Norman LH2500 head shooting into a 5 foot umbrella/softbox at 400w/s. The two rim lights are Genesis 200 strobes, set to 48 on the power level, which put them a little less than one stop below the main light and using the stock reflectors.
The umbrella/softbox gives a nice big light source and you really can't go too far wrong with it. The shot below is an example of this setup.

For the outside shots, I went with my trusty Vivitar 285s. The main light was one 285 at full power with the head zoomed to Tele. From across the alley where we were shooting, this perfectly lit the group of six with the ambient exposed one stop under. Another snooted 285 was aimed to hightlight certain spots in the frame.
The wide shot below shows the area being hit by the flashes.

And here's one of the shots.

I don't often get to shoot more than a couple of people at a time, but this shoot went really well, especially considering I had five different locations to set up using almost all of the lighting gear that I own and that I was setting up and tearing down by myself. The guys were very easy to work with and I hope to see the photos being used soon!
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